Lil Wayne Tha Carter Iii
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I think we were both on the same page as far as not knowing the potential of the record. The first person who told me how great this song was, was. He’s a hip-hop legend and told me it brought hip-hop back. Those were strong words, and I didn’t know if I wanted to accept that. I grew up on hip-hop, and for this one record to bring something back?
Lil Wayne earned some of his first career GRAMMY wins at the 51st GRAMMY Awards on the strength of 2008's Tha Carter III. He took home Best Rap Album, Best Rap Song for 'Lollipop' and 'A Milli' won Best Rap Solo Performance. 19 rows They are all equal parts of Wayne’s personality, and Tha Carter III accords them all equal.
During that time, rap records started fluttering a little bit, but Wayne came back and gave the a boost that everybody needed.
00:05:19 • • • • • • R. Thicke, ComposerLyricist - Fabian Marasciullo, Mixer, StudioPersonnel - D. Carter, ComposerLyricist - Joshua Berkman, Unknown, Other - Lil Wayne, MainArtist - Darius 'Deezle' Harrison, Recording Engineer, StudioPersonnel - Robin Thicke, Producer, FeaturedArtist - Miguel Bermudez, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Edward Lido, Assistant Mixer, Asst.
It still sounds like the future after anticipating the following decade of hip-hop and R&B. On “Lollipop”, Wayne simplifies his rhymes to nestle into the lush production, but on “A Milli”, he takes the opposite approach. The beat is barely there, two syllables trimmed from a A Tribe Called Quest B-side looped ad nauseam over the platonic ideal of rap drums. All the more space for him to absolutely bug out on the mic.
You can fault him for not connecting enough on the album and further complicating his unmanageable body of work with this disjointed effort, but 's true masterpiece is the bigger picture and how he's flipped the script since the first rolled out. Filled with bold, entertaining wordplay and plenty of well-executed, left-field ideas, should be considered as a wild, somewhat difficult child of 's magnum opus in motion, one that allows the listener an exhilarating and unapologetic taste of artistic freedom.
On “Let the Beat Build”, Wayne uses a soul sample and an 808 to brag about “approving million-dollar deals from my iPhone,” which sounds perfectly normal now, but in 2008 that was the biggest flex in the world. “Phone Home” is about how Wayne transcends the human race entirely. “We are not the same, I am a Martian,” he says, Ziggy Stardust toting two Styrofoam cups. And then there’s “Pussy Monster”. It’s an entire song about Wayne’s dedication to oral sex, added to the album last minute as a replacement for a track facing copyright issues. It’s a fun but slight track, one that was pointed to constantly by his detractors as evidence of his lack of depth.
'I immediately think of artists like Run-DMC,, Jay-Z,, and Kid Cudi. These are a few of the pioneers who helped lay down the foundation for artists like Post Malone, Lil Uzi, [the late], and Lil Pump to become the new generation of artists to continue the push forward the borders of hip-hop,' explains Matthew Bernal manager of media for Republic Records. 'From their trend-setting fashion, genre-bending sounds and riot-like live performances, millennials grew up watching these icons and the influence is clear in their music today.' Artists such as Rae Sremmurd, who released the groundbreaking 'Black Beatles' with Gucci Mane in 2016, extended that aesthetic — the music video for the hit single showed the duo breaking TV sets with electric guitars. Jul 13, 2017 – 12:00 pm Behind the song: Post Malone's 'Congratulations' 'Post Malone's ',' which was the No.
Thomas Maestro 3:42 4. 'Love Me or Hate Me' Carter GX 4:00 5. 'Talkin' About It' Carter, Rodriguez Infamous 3:31 limited deluxe edition bonus disc No. Title Writer(s) Producer(s) Length 1. 'Action' Carter, Harrison Deezle 3:45 2. 'Whip It' Carter, Harrison Deezle 6:01 3.
As reminded us, Tha Carter III sold more than 1 million copies its first week and debuted at No. 1 on the Billboard 200 album chart. The groundbreaking work featured fellow rappers, T-Pain,, and Busta Rhymes, and produced three chart-topping singles: 'A Milli,' 'Got Money' and 'Mrs. ' While the world looks forward to more world-class recordings from Lil Wayne, Lil' Weezyana Fest on Aug. 25 looks likely to be an unforgettable experience.
Lil Wayne The Carter 3
As the track flows from political commentary ('My whole city's underwater, some people still floatin'/And they wonderin' why black people still votin'/Cuz your President's still chokin') to despair and onto some moving 'keep your head up'-styled verse, it proves Wayne can go deep and connect with his audience if he chooses. You can fault him for not connecting enough on the album and further complicating his unmanageable body of work with this disjointed effort, but Wayne's true masterpiece is the bigger picture and how he's flipped the script since the first Carter rolled out. Filled with bold, entertaining wordplay and plenty of well-executed, left-field ideas, Tha Carter III should be considered as a wild, somewhat difficult child of Weezy's magnum opus in motion, one that allows the listener an exhilarating and unapologetic taste of artistic freedom. ~ David Jeffries.